The work.
Moored looks down on a quiet corner of the harbour, where boats, water and the edge of the quay divide the composition into shifting shapes and planes of colour. At the centre, the red boat immediately draws the eye, while the unusual viewpoint transforms an ordinary harbour scene into something almost abstract.
The work continues the artist’s fascination with boats — not only as objects connected to the sea and his own memories, but as forms in themselves. Seen from above, their familiar shapes change: hulls become contours, reflections become colour, and the harbour becomes a composition built from fragments of everyday life.
